Interdisciplinary Performance

Important Dates

July & August Dates

Posted by Admin on Jun 28, 2010

Save the day! Don’t forget to mark your calendars for these important upcoming events. AUGUST: SITI Company 5-day Intensive Aug 9-13, 2010 Month:...

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News

SITI Intensive Update: Three spots left!

Posted by Admin on Jul 29, 2010

The SITI summer workshop scheduled from Aug 9 to 13 at Capilano University has been sold out for weeks BUT three spots have just opened up. If you have been sitting on the fence,...

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In the Media

Time Off – May Issue

Posted by Admin on Apr 28, 2010

The May issue of Time Off, and entertainment magazine in Brisbane, featured a preview of Dante’s Inferno and an interview. If you find us somewhere in a newspaper, magazine...

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Announcements

Images of Solitude

Posted by Admin on Jul 29, 2010

Human Theatre director Tora Hylands will be exhibiting a series of photos as part of the Vancouver Pride / Queer Arts Festival this summer. Tora’s work is a collection of...

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Recent Posts

Restoring A Reationship With Theory

Restoring A Reationship With Theory

Well, it’s probably been about 15 years since I seriously dug into a book on theory. Shocking! I know. Back in the 90s theorists were really hard on us; elaborate and stilted language, the preoccupation with the “wired” world and viewing theatre as a quaint and marginalised practice. The results were disappointing to me and more often than not,...

The Immediate Theatre

The Immediate Theatre

Peter Brook’s “The Empty Space”. Chapter 4, The Immediate Theatre. The Immediate Theatre is the theatre of the fresh. In this chapter Brook generously positins himself as a fellow student of the art. The most valuable thing I have taken from this book, and that I continue to practice years later is a tolerance for ambiguity. This is largely...

The Rough Theatre

The Rough Theatre

Peter Brook’s “The Empty Space”. Chapter 3, The Rough Theatre. Rough Theatre is the theatre of torn edges, dirt, makeshift and make-do. In direct contrast to the Holy, the Rough gives more validity to down-to-earth crudeness than to the eloquence of prayer (p. 71). Brook reminds us that theatre can exist in an attic or a bombed out theatre...